Gorgeous hand-printed cassette sleeves, which accompany the raw, crunchy dadaism of T.Jervell and ChromaDots with their magical wooden machines. Limited tapes available now at SteepGloss Bandcamp
Sounds from an old wooden house situated in the rural North Norwegian countryside, as heard by a Norwegian and an Irelander.
Field recordings, found sounds, and Tetrax recorded on a Sony M-670 microcassette recorder, in Faksfjord summer 2022.
On Faksfjord the source material is cut up and rearranged utilizing an 8-bit hardware sampler, in Gravdal, Lofoten.
A collection of hiss and crackles, textures, and sound.
Fragsfjord involves breaking down the sounds found on the Faksfjord tapes to their smallest form and organising these sonic fragments using sections of the original recordings as a source of triggers, while recapturing them within a new space, in Munich.
I recently stayed in a caravan on the rugged Norfolk coast and the promo of this album accompanied my trip. I ended up listening to it multiple times (on headphones) and was totally drawn into the prepared pianos and those crystal flurries that pierce through. Lovely stuff, an amazing mix + master.
Here is the blurb:
Night Gestalt wants to create simple, transparent music. Music that is as straightforward to experience as light. And as beautiful.
With his new album Staring Light he takes the idea even further. The music was recorded during the spring of 2022 with the aim to follow the light as the days in Sweden became longer and longer – investigating the different shades and gradients of the coming spring – and in the music. Now the ritual will be completed with the release of the music exactly one year later – mirroring the recording of the songs, and once again following the light.
The first single – False Azure – is released on the spring equinox (March 20) – and the album on the summer solstice (June 21) – those magical 24 hours consisting of one endless bright summer night.
The album is spacious and quiet, using a few selected synthesizers and a small piano.
“I sort of promised myself to never record an album with a piano again. But then I was intrigued to see how much I could change the process and still end up with the sound of a piano. And it was a lot! The piano is prepared with tape and small parts – think John Cage or Aphex Twin. And played with thumbs and fingers as much as with the keys. On top of that, it’s heavily processed with effects”, says Night Gestalt.
Night Gestalt started as a love affair for arpeggios, and Staring Light is staying true to the idea. Apart from one song, there is only one note at a time throughout the whole record.
“I love how arpeggios are so simple and yet consist of everything needed to make interesting music: rhythm, melody, harmony, and sound. And I love how you can hear every note. Nothing is hidden. The music is not trying to be anything it’s not, or trying to show off. It just exists, just like light.”
Interesting, washed-out radio fuzz trades places with intermittent synth, chimes and drum loops, giving a distinctly haunted vibe. Sometimes nudging towards BoC’s bleaker moments (ala Tommorow’s Harvest), The Xenakis Station keeps things tense, without going full darkside. Not sure if there is any reference to composer Iannis Xenakis here, as the music is certainly not similar, other than in name.. Curious!
Either way, here is the accompanying release blurb:
The Xenakis Station. A long abandoned research station. A place always officially denied. The place now a fiction where shards of disputed truth remain.
The location, still not declassified. Remnants destroyed.
Last winter we got a phone call to say graffiti on an abandoned building on Redpoint Sound states” ‘Xenakis broadcasts were made here’ but official enquiries are still met with silence.
Cate Brooks is back with her seventh release for Clay Pipe Music. Never one to stand still, ‘Easel Studies’ finds her pushing the boundaries of sound synthesis and experimentation on the Buchla Music Easel while still sounding beautifully beguiling and hypnotically melodic.
From the vaults of Henry Homesweet’s sprawling discography, Pen Name present ‘In The Flow’, a 2015 EP worthy of the reissue treatment. With the Yeon alias, Homesweet explores a deep and mysterious tropical sound, enveloping the listener with meticulous stereo design (headphones recommended). Freshly remastered for tape / digi and featuring an unreleased extended cut on the B side.
First published in 1617, Atalanta Fugiens is a collection of 50 alchemical discourses, each with its own illustration, verse, and musical composition. This release is a realisation of the first 10 of these Fugues, performed using circuit-bent Yamaha home keyboards and a variety of acoustic instruments.