Flatland Frequencies
Refining her setup and sound, Lou has been beavering away over the border in Suffolk on a more minimalist approach to her compositional process. Channeling early Kosmiche sensibilities, with a modern twist, Yorke conjures mesmerizing, arpeggio-driven realms that beckon listeners into the cyclical embrace of time itself.
Modulations is a feature-length documentary that captures a moment in history where humans and machines are fusing to create today’s most exciting sounds.
It traces the evolution of electronic music as one of the most profound artistic developments of the twentieth century. By cutting back and forth between avant-garde composers, Kraftwerk’s innovative synthesizer drones, Giorgio Moroder’s glacial Euro-disco, Afrika Bambaataa’s electro-funk, and Prodigy’s current worldwide superstarstardom, Modulations celebrates, replicates, and illuminates the nomadic drift of the post-human techno sound.
The film examines the kids who have turned the turntable into a musical instrument, disillusioned disco lovers who created acid house out of primitive synthesizers, Motor City mavericks who saw the drum machine as their escape route out of urban neglect, and a generation of British youth who transformed these blips and bleeps into dance floor anthems of their own alienation.
Modulations provides a sense of history and context in which today’s electronic music can be understood. It entertains the converted and remixes the mindset of electronica’s nay-sayers.
This is an album exploring the interplay between random events and deliberate human intervention, something which, in the electronic music field, I call cybersynthesis. I saw it’s creation as being analogous to creating pictures using the medium of Watercolour, whereby the various pigments are allowed to flow randomly in water with the hand of the painter guiding the proceedings with an eye on satisfying various criteria. These criteria define the artist’s intention. The work is the result
The music was made on the Serge Modular Paperface system, with most of the modules being made in the early-to-mid 1970s. However, one panel of the nine used is a modern unit formatted to the Serge standard, made by the British synthesiser manufacturer Loudest Warning. This panel was assembled on my instruction, a service happily provided by the manufacturer, and contains cybernetic functions that I felt were lacking in the other modules in my system, but which fit in with the spirit of the Serge. They were designed to aid in the composition of self-generating melodic and rhythmic patterns
These functions are as follows:
Two Gated Comparators, each one slightly different from the other. These modules take in pitch data, and hold it in memory to be passed out at a sequentially gated step, with up to 8 steps. They create a semi-random series of notes and gates and can be used in conjunction with other modules such as the Quantizer
Window Comparator: This takes a clock input and puts out up to 8 new gates based upon a range set by external CV. It can be used to create complex rhythmic patterns which again are semi-random in nature
And-Comparator. This takes multiple gate events and outputs a new gate only if all inputs fire together. It is useful for selectively thinning out complex events into simpler rhythmic events, also known as rhythmic quantizing
The Slope Detector takes any variable CV and generates various gates depending on the rise and fall time of the input
73 EG. A complex envelope generator based on the original Serge design from 1973. It allows voltage control over most parameters and also generates extra gate outputs under voltage control. In cycle mode it can be used as a complex VC-LFO
Having this extra panel added to my system has opened up the compositional potential of the instrument to a very large extent. All of the melodic elements you hear on this album were generated using what I call ‘cybersynthesis’ principles, which is a fascinating area of electronic music that I have greatly enjoyed exploring on this record
Download form Bandcamp includes full colour 10 page PDF booklet!
Behold the enchanting Buchla symphonies, woven by the mystical hands of Egil Kalman, a maestro of otherworldly melodies. In this magical opus, Kalman guides us through realms where traditional harmonies intertwine with the ethereal. The mystical additive wave folding timbres, originating from the enchanting ELECTRIC MUSIC BOX, Series 200, resonate throughout the very fabric of these compositions.
Bandcamp for the vinyl (only a handful left!) and digital.
Classic 2004 American documentary film by Hans Fjellestad about electronic instrument pioneer Robert Moog. Nice production and well worth a gander if you missed it the first time around.
Excellent 3-part documentary on one of my favourite musicians of modern times, Laurie Speigel
Fourth in the IMA Portraits series, this short introduces us to the life and work of electronic/contemporary composer Eliane Radigue. Radigue discusses methods of composition, the challenges and difficulties of live electronic music, as well as biographical episodes with Pierre Henry and her own goals in soundscape production and consumption. A lucid portrait of a dream manufacturer.
Polypores Live 2023 showcases a departure from his previously released musical endeavors, opting for an exploratory approach rooted in improvisation and continual discovery. A patchwork quilt of modular delight, the snippets of each live performance incorporate selective repetitions, ensuring that each rendition remains a unique and distinct experience.
Synth East: Electronic Sound X NAC present
Subotnick film screening
Followed by Adam Buxton in conversation with Steve Davis
+ performance by Luke Sanger (BAR)
23/2/24
The all new Friday evening Synth East event is curated by Electronic Sound Magazine and the Norwich Arts Centre and kicks off with (possibly) the UK premiere of a documentary on musician Morton Subotnick, who at 90 years old, is known affectionately as the Father of Techno. It’s called Subotnick, Portrait of an Electronic Music Pioneer by Waveshaper Media who brought us the intoxicating 2014 documentary, I Dream of Wires.
Following the film we have writer, broadcaster, comedian and musician Adam Buxton chatting with Synth East alumni Steve Davis about music, life and modular synths. Finishing off the evening we have an ambient set from modular musician Luke Sanger as we relax into some beers in preparation for what’s to come for the rest of the weekend.
Tickets available now from NAC
Lovely golden-era synth music, with a library slant, from Pulselovers. ‘Cotswold Stone’ has just been reissued on mad multi-coloured vinyl.
Released in 2019, this album is a captivating journey filled with warm analogue sounds that seamlessly transport listeners to a picturesque countryside setting, albeit through a sepia lens. The retro-inspired beauty and traditional song structures of the music effortlessly capture the vibe of being in a truly enchanting place.
Grab the vinyl and digi here