| Name | Artist | Album | Year |
| Flowstate | Cate Brooks | Easel Studies | 2023 |
| Warm Currents | Polypores | Azure | 2020 |
| Jamestown (Accra) | Luke Sanger | Field Recordings | |
| Amulet | IE | Pome LP | 2018 |
| Tchaikovsky, Valse Sentimentale | Clara Rockmore | Ohm – The Early Gurus of Electronic Music 1948-1980 | 2000 |
| Curig | Cate Brooks | Easel Studies | 2023 |
| Delphic (Extended Mix) | Yeon | In The Flow | 2023 |
| thai_mountain_amb | Luke Sanger | Field Recordings | |
| Clockworks | Laurie Spiegel | The Expanding Universe | 2012 |
| Outline of Nature | Twilight Sequence | Outline of Nature | 2023 |
| False Azure | Night Gestalt | Staring Light | 2023 |
| learning the door | dan derks | phylum | 2019 |
| Soft Meadow | Green-House | Six Songs for Invisible Gardens | 2020 |
| A Fresh Dawn For North Cheshire | Warrington-Runcorn New Town Development Plan | Building a New Town | 2023 |
| all the way to kang | roya | bound | 2020 |
| A Sonic Womb Part III | Suzanne Ciani | A Sonic Womb: Live Buchla Performance at Lapsus | 2020 |
| uume 24 extended mix | Claude & Ola | uume | 2023 |
| Unfamiliar Wind (Leeks Hills) | Brian Eno | Ohm – The Early Gurus of Electronic Music 1948-1980 | 2000 |
| Telepath | Boards of Canada | Tomorrow’s Harvest | 2013 |
| Sacred Transparency I | Night Gestalt | Staring Light | 2023 |
| An Act Of Surrender – Part 1 | Thomas Stone | An Act Of Surrender | 2022 |
| Lichwake Familiars | Food People | Mirrors & Vegetables | 2020 |
| Before this Body is Forsaken | Aeons | Into Eternity’s Embrace | 2023 |
| crumple your crypto | roya | bound | 2020 |
| hiroshima_frogs | Luke Sanger | Field Recordings |
Tag: buchla music easel
An intriguing audio diary of sketches, taken on the Buchla Music Easel and recorded over a year. Lampeo really highlights the character and range of the instrument here, deftly using looping and spacial effects to layer the sounds, which range from the percussive to the melodic.
The instrument itself has a unique tone, due to the additive nature of the primary oscillator and an analogue signal path that differs significantly from traditional subtractive synthesisers. There’s so much info out there already on the Easel, that I wont bore you with the same old stories. However, it’s worth noting that a large proportion of the online demonstrations using the Easel really do not represent the capabilities of the instrument, which takes time and dedication to master. Something Lampeo is highlighting in this release and firmly stamping their compositional mark.