Ambient, atmospheric landscape cinematography, the kind of thing we love at Flatland Frequencies.
New York gallery space The Issue Room hosted this visual and audio event featuring a montage of images from A. Qadim Haqq, author of The Book Of Drexciya, and audio soundscapes from Dopplereffekt. The theme grows on the concept originated by the late James Stinson and Gerald Donald (of Dopplereffekt), an underwater world inhabited by the water breathing descendants of slaves thrown overboard during the Atlantic slave trade.
After the presentation, techno musician and cultural theorist DeForrest Brown, Jr. talks with A Qadim Haqq about the legacy of Drexciya and techno as black futurism.
Art is a reflection of the society that produces it. In the second decade of the twentieth century, Europe had turned itself into a vast slaughterhouse. In Zurich a group of artists gathered in the Cabaret Voltaire and set about a total rejection of the values that had produced the First World War. The irrationality and absurdity of capitalist society was mocked and satirized in an iconoclastic and nihilistic style that was as irrational and meaningless as the times that had produced it.
“The cinema too must be destroyed”
Not many films are made to deliberately discourage passive consumption. Instead of trying to entertain or seduce the viewer with aesthetically soothing shots this film deliberately interrupts itself and pauses to criticise the institute of cinema itself. It is a commentary on the fractured and fragmentary nature of everyday life with all its discontinuities, contradictions, hopes and frustrations.
Donde Nada Ocurre (Where Nothing Happens) is an artistic project conceived by Ibiza born Irene de Andrés. First shown in its totality at Museo Patio Herreriano, Valladolid, north-west Spain. The project consists of five films, and other models and architectural structures.