Categories
Avant Garde Drone Electro-Acoustic Minimal Review

Christopher Otto – Rag′sma

greyfade 003 – Release: November 19th 2021

Christopher Otto, the violinist and founding member of JACK Quartet, brings a strict mathematical approach to acoustic composition and performance. Unfurling drones begin at a base frequency and methodically work their way outwards, causing shifts and minute imbalances between the (impeccably) recorded instrumentation. Utilising just intonation tuning techniques, the result is some really interesting and unique timbral combinations.

According to the blurb “Otto drew inspiration from a particularly complex interval known as the ragisma a ratio of 4375:4374. The size of this interval, 0.396 cents, is so small that most would say it cannot be perceived as such by the human ear.”

The record has a strong mathematical concept, however it works on levels that can be enjoyed purely as a great tonal record and which rewards deeper listening, especially when referencing the sleeve notes. Speaking of which, the sleeve and overall package follows in the gorgeously high production standard as set in previous greyfade releases.

Keep your eyes on greyfade for a copy.

Categories
Art Culture Electro-Acoustic Experimental Film

The Cabin

Experimental recordist alas23 presents a sonic exploration of a Soviet era bus cabin, using contact microphones and an electromagnetic field antenna. As well as making the occasional video on Vimeo, alas23 is a regular contributor on Radio Aporee, visit there if you want to hear more.

Categories
Electro-Acoustic Experimental Review

Gasparotti, Ciullini, Stancati – Portraits

Unexplained Sounds Group – Release: June 4th 2021

After the recent and rather excellent anthologies of experimental music from China and Peru, Unexplained Sounds Group introduces a new series called Portraits, focusing on electronic and electro-acoustic music composers.

This first volume is dedicated to three emerging experimental Italian musicians: Gabriele Gasparotti, Daniele Ciullini, and Mario Lino Stancati. With Ciullini having a long history of producing music in the post-industrial underground scene.

The general vibe works up from the opening dark and crunchy, saturated soundscapes of Gasparotti, to the lighter, guitar peppered airy drones from Stancati. The third section of the CD showcasing some really interesting patterns from Ciullini, who introduces abrupt tonal changes and wide ranging textures, that shift from long reaching deep ambience, to near field digital glitches and found sounds.