You may recall we have occasionally reviewed music instruments on the blog (like the popular Ciat-Lonbarde reviews for example). But this is a first for Flatland Frequencies. We’re going to start featuring select new software that we feel fits the type of music we support and would be of interest to our readers. So what better way to start, than a extremely high end, gorgeous sounding reverb?
So what’s new over the Pro-R 1? Pro-R 2 introduces two new reverb algorithms, ‘Vintage’ and ‘Plate,’ each bringing a unique retro flavor to your mixes. ‘Vintage’ is a nod to classic digital reverb units of the ’80s and ’90s, delivering long, bright hyper-real spatial ambiences 🤤 . Meanwhile, ‘Plate’ serves up the evocative metallic sound of vintage plate reverbs, making it an ideal choice for drums and vocals. These additions expand Pro-R 2’s spatialising capabilities into more synthetic textural territory.
What caught my ear, is the fact it now supports impulse responses. Something as an Ableton Live user, I’ve never had catered for (like those lucky Logic users for example). Pro-R 2 also adds the ability to import impulse responses and have them automatically recreated as algorithmic setups — including Decay Rate and Post EQ shaping — that closely match their sonic characteristics. Whether wanting to binge on the vast array of free impulse responses available online, or capture and emulate favourite vocal booth, drum room, or hardware reverb in Pro-R 2, IR import opens up a whole new world of possibilities.
Anyway, to bring back into context, this thing did AMAZING long tails, perfect for drones and washed-out synth-scapes (which is what we’re all here for, right?)
Available now at £144 from their webshop