Two collaborative compositions between Kenneth Kirschner & Joseph Branciforte, focusing on applying “software-based compositional techniques — including algorithmic processes, generative systems, and indeterminacy — to the creation of new music for acoustic instruments.”
The result being two long form, detailed and hypnotic acoustic recordings. Originally entirely composed and produced within the Max/MSP modular software environment, then painstakingly reverse engineered, scored and performed with double-bass, cello, viola, and violin.
